Blind Willie Mctell.

Home Ask Archive Pictures Of Me Ninetween year old media production/jounalism major haiing from a plummeting hole more commonly referred to as newcastle, but that's okay because I've got some kind of warholian fantasy world going on inside my head.
I am the self-proclaimed queen of everything
I used to have Marvin Gaye's 'let's get it on' playing on autoplay to mindfuck people but then I took it off, because it mindfucked me, so just imagine porn grooves playing while you lurk my blog brah.

♥ 20 Notes / Wed May 23rd, 2012 ≡ reblog

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boygrace Asked: "your look reminds me so much of edie sedgewick!"

Answer:

that’s pretty much the biggest compliment ever, thanks.

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Edie on one level was an unparalleled exhibitionist, but on another level she was very shy. I think the thing about Edie, her antic quality had a lot to do with her charm. She would go to any length to please. She needed to be accepted really on a visceral level, not the way most of us need to be accepted — kind of casually.
- Fred Eberstadt, Edie: Girl On Fire.

Edie on one level was an unparalleled exhibitionist, but on another level she was very shy. I think the thing about Edie, her antic quality had a lot to do with her charm. She would go to any length to please. She needed to be accepted really on a visceral level, not the way most of us need to be accepted — kind of casually.

- Fred Eberstadt, Edie: Girl On Fire.

♥ 31 Notes / Sat Apr 14th, 2012 ≡ reblog

In 1965, Andy Warhol spotted her dancing, doing what a friend, Chuck Wein, described as a ‘sort of ballet-like rock ‘n’ roll’ and he immediately recognised her energy, her peculiar, offbeat starry quality. The art critic Richard Dorment believes that when Warhol dubbed her a superstar it was more than just a whim. He knew what he was doing. She was ‘Warhol’s answer to Marilyn Monroe- Her gaiety and charm, her dumb-blonde chatter, infectious laugh and self-deprecating clowning combined sensuality with a quality very close to innocence.’ And, like Monroe, she was ‘frighteningly vulnerable, a borderline psychotic’. And so, fatefully, Warhol invited Edie to the Factory, his Manhattan studio, and she became the first of his superstars.

In 1965, Andy Warhol spotted her dancing, doing what a friend, Chuck Wein, described as a ‘sort of ballet-like rock ‘n’ roll’ and he immediately recognised her energy, her peculiar, offbeat starry quality. The art critic Richard Dorment believes that when Warhol dubbed her a superstar it was more than just a whim. He knew what he was doing. She was ‘Warhol’s answer to Marilyn Monroe- Her gaiety and charm, her dumb-blonde chatter, infectious laugh and self-deprecating clowning combined sensuality with a quality very close to innocence.’ And, like Monroe, she was ‘frighteningly vulnerable, a borderline psychotic’. And so, fatefully, Warhol invited Edie to the Factory, his Manhattan studio, and she became the first of his superstars.

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